Christianity holds a range of sincere, carefully argued positions on same-sex attraction and practice — from full affirmation to traditional sexual ethics, with varying positions between. Faithful, serious, Bible-reading Christians who have studied the Greek and engaged the history land in different places. If someone tells you this is simple and obvious in one direction, they have not read the other side charitably. The debate is real and the stakes are human.
What is not in dispute across these positions is the dignity and worth of every person bearing the image of God. Genesis 1:26–27 grounds human dignity not in heterosexuality but in the imago Dei — the image of God stamped on every human being, regardless of sexuality, struggle, history, or sin. That foundation does not move.
Psalm 34:18 — "The LORD is nigh unto them that are of a broken heart; and saveth such as be of a contrite spirit" — was not written for a tidy life. The nearness of God is specifically promised to the broken heart. Many people carrying same-sex attraction in a faith context know what a broken heart feels like — the experience of being pulled between two things they love deeply, between their sense of self and their understanding of what God calls them to, between the church community and honest self-disclosure. That is a specific kind of suffering, and God is specifically near to it.
Paul's thorn in 2 Corinthians 12 is not identified. He calls it "a messenger of Satan to buffet me," and he asks three times for it to be removed. God does not remove it. He says, "My grace is sufficient for thee: for my strength is made perfect in weakness." Whatever the thorn was, the theological pattern is clear: not all suffering is removed in this life, and the presence of ongoing struggle is not evidence that God has abandoned you or that you have failed. Grace is sufficient precisely in the places where it has not been removed.
Commentary is from a charismatic Protestant perspective, drawing on KJV text and public-domain sources including Spurgeon, Andrew Murray, and Matthew Henry.